just jack are back with more fire, this time from brooklyns tape hiss. synth heavy, acid led grooves are the order of the day on the 3 originals, with panoramabar s massimilliano pagliara providing some serious dance floor heat on the remix.

volume.3 of the black traxx series with finest disco house tunes

bursting from the bubbling underground club scene of tel aviv, bauhaus records is a record label headed up by veteran scene originators and world renowned the block club first residents dj’s amichay matyas and yogo, in partner with well-experienced label and artist manager, udi niv. buahuas records aims to provide a creative ground for a collective of local underground electronic producers & djs, emphasizing the art of organic & analog sound and down to earth house music. their experience of nearly 20 years of playing for tel-aviv’s underground dance floors, regularly rubbing shoulders with pioneers and leaders of house, disco and techno as well as their vast milage in the dj booth, enables them to cherry pick the hidden treasures and unknown local gems of their scene whose highly secretive to many others while unofficial edits and tracks have already played in biggest clubs and venues in the past year, bauhaus are finally ready to share their official debut release, presenting the label’s prime producer.

summers here! ransom note records continue their search for the finest dance music from planet earth with a carnival-ready curveball of a new release the sleazy, playful ghanaian afro-ghetto-techno-pop that is brytes word-of-mouth classic i like your girlfriend. originally surfacing on a couple of youtube dance videos, the shitty quality video rip of brytes bizarro lyrics leaping over gafaccis impeccable grime-meets-afrohouse beat has been a much-loved secret weapon in the sets of djs that know for a minute now - bok bok, mixpak and gang fatale have all supported heavily. coming from accras booming azonto dance scene, where tracks are knocked out in makeshift home-built studios then swapped through social media apps on smartphones, a proper release of i like your girlfriend has long remained a holy grail. now, after months of searching, several western union transfers, hundreds of whatsapp messages and no lack of determination, ransom note have finally managed to legitimately sign the track, and are all set to give a modern classic the 12inch release it deserves making history with what is quite possibly the first azonto track to be released on vinyl. alongside brytes crazy vocal version, the release features the original beat from producer gafacci its bouncing techy minimalism carving a unique path between techno, house and uk funky that defies genre with glee. vinyl buyers get a special bonus brytes acapella, coming in at 128 bpm, is the perfect mixing tool

version galore is a newly found label, deeply rooted into the music culture. we are bringing you the selected reworks / re-edits from the top producers in the game, showing lots of respect and care for the original, but elevating it s spirit and taking it somewhere else. it s all about the dialogue of cultures and the idealistic desire to pass the music legacy on! no half-measures, played-out tunes, lazy cuts, or boring -808-kick boosting- biz! on the first release of the label we are delighted to bring you the chosen cuts from the man that needs no introduction - opolopo. he knows a thing or two about making a personal version of a track that can easily overshadow the original, and we guess that s the case with the two cuts he prepared for us on this records. things escalate fast. on the a-side you will find originally a midtempo mild jam -go get it-, which is turned by opolopo into an effectively-upbeat stomper that will inject true feeling and groove in any house or disco set alike. it s one of those rare occasions when a soulful tune turns out to be super dance-floor efficient no matter what! the b-side is all about the raw and emotional funky madness of -american promise-. it s infectious groove, pinpointed with growling sub-bass is just devastating. epithets are irrelevant here - just play it loud, but with caution! -version galore - play some more!-

once again, providing a context for exciting new producers to release their debut 12”, cold recordings is proud to now bring you ‘cocktail party effect’. hailing from a musical family eric baldwin, the currently berlin based but british producer, shows off his colours here with a diverse, rhythmical, experimental – but always dance floor savvy – ep of 4 killer cuts, all rolling out between 125-130bpm.

stonedwave presents the latest ep offering from jochen heym, „sonoaut“ on snow white vinyl limited to 300 copies. bridging the gap between hardcore, drill and bass and braindance on tracks like exit vessel and init conversation the artist creates dadaistic piano arrangements that meet talking funk basslines while the tracks are still heavily rooted on the dance floor.

mick has been active in the seedier corners of electronic music for more than 30 years, first immersing himself in the world of hi-nrg and new wave before embracing the house, techno, acid and electro explosion of the late 1980s. aligned with dj hell in the 90s and more recently the intergalactic fm crew, hes the quintessential selector. a life spent digging in the undergrowth for deviant dance music has given him the edge that makes a truly gifted spinner, without riding on hype or studio productions. however, mick isnt adverse to the odd outing on vinyl, having previously appeared on international dj gigolos both solo and as the kinky lovers with sometime partner isabella venis, but these moments are few and far between. for this release on arma, mick has given us two edits that speak to his distinctive style as a dj the original tracks are cult choices re-moulded into deadly, subversive club weapons. the brooding darkwave of himmelfahrt 89 is enough to turn the most indifferent bar crowd into swaying, baying denizens of the night, while stay silent pummels out a relentless electro motif that teeters on the edge of destruction for 11 thrilling minutes. these arent crowd-pleasing dj tools, and neither are they slick and easy edits of obvious classics. this is a peek into the inner workings of a man with decades of experience working masses of flesh into a sweaty fever pitch using sounds youve never heard before. the mastering on micks edits was undertaken by none other than dutch electro legend rude 66, while the striking artwork on the sleeve sees arma reach out for the first time to french artist judex. the nerve-shredding, broken op-art assault was originally found in a book published by cult illustrator sam rictus.

limited to 300 copies
for their second release, 12th isle proudly fling blubber tottum into the waxen sonic abyss for your full listening pleasure. the inaugural lp drubbed from the glaswegian machines of cru servers is perhaps best framed as what it would sound like if early life took its first steps out of the primordial gloop, dragged itself ashore, decided to make dance music and discovered they had a knack for it. it dangles precariously in the fault lines between discordantly melodic rhythm tracks, steadily paced chaos and swamp-soaked bass oddities. laden with eerily familiar samples yet always in a world of its own.

infused with minty flavours this next blend brings raw grooves, warm baselines and uplifting melodies. crafted with love they make the perfect accompaniment to twilight settings, tracks supplied from mattiik (uk), slim steve (italy), dos (austria) and james henry (uk).

tbd, the decade-old project from doug lee (an-i) and justin van der volgen, is back! known for their set-defining big room monster jams, below sees them on a deep, heavy and very trippy analogue tip. synths wheeze and bubble while a thick syncopated bass and a giant kick drum keep the proceedings firmly locked to the dance floor. on the flip, legendary japanese dj and producer dj kent steps up on remix duty under his the backwoods alias. building off the original, he adds sharp percussion and tastefully refocuses the track, creating a perfect complimentary mix to the a-side.

love & loops is back ! after the 1st release the label commanded by ale castro returns to the ring. the 1st track of the vinyl belongs to the young argentine talent gruuv who drop a super groovy tune to start shaking the dance floor. then ale castro finally release his improvisation on the synthesizers, a classic of jackin house in his presentations, now available to the whole world. side b kick off with the very well-know german producer dotstripe, who continues the synthesizer madness with a full groovy track with vocals that remind his old school roots. last but not least, bs as deep delivers another sick tune with his classical house sound, perfectly to close this 2nd various artists, a bunch of tools for any kind of dance floor, music made with love, loops and some random machines.

lawrence kurt is back on wats records! another two great pieces of pure melodic techno who will set you lost in the space during crazy nights on the dance floor. both tracks are a trip between heavenly melodies and industrial drums.

first release from the beat catalogue serie which is focused on new artists. all music produced and mastered by kevin skyler. electronic delight ranging from dance to experimental style

next up on the influential artreform records label is the boss himself, aka kyiv-based dj and producer yevgeniy joss. often turning out tracks that sit high in the juno and decks charts, joss has a high-quality sound that ranges from slick tech to deep house and now he proves that once more.
up first is smooth, an infectious groove with lively synths scurrying about and bringing lots of dynamism to the drums. the percussion is crisp and the whole thing feels spaced out and futuristic. it’s busy and brimming with energy and will get any floor on its toes. sharp is a darker number with more menace in the drums. they are rubbery and supple and run through with edgy little synth lines. the track grows wilder as it unfolds and will really work dance floors into a lather.
once again the master joss shows just why he is such a tastemaker in the underground dance scene.

following the first two elegiac notes to our dear lost cindy, palmbomen ii s third dedication arrives with the last 12inch available independently of the four piece set and a new episode of real talk. throughout memories of cindy pt. 3, voicings from the palmbomen ii paradigm are pared down to their vascular essentials. pumping iridescent, melodic acid house through club fog and californian smog on ultimate lovestory fantasy, teleac, and disappointment island, the nearly hymnal qualities of wilcos funeral and fat director counter the dance cuts and commemorate cindy with colors reminiscent of schmoelling-era tangerine dream as twisted by kai hugos melon

mst032 cute heels. this 4 tracker ep comes strait from the white mountains of bogota after transmissed to the dark streets of berlin. after a mindblowing 12inch on darkentries cute heels delivers a new one for moustache records. this 12inch listen to the name bella ep a renaissance new wave techno electro banger. dark strings and live feel with enough fist pumping energy for your unisex body machine tekno party.

dream control is the collaboration of a legend of the krautrock kosmiche scene and a pioneer of the german electronic scene. zeus b. held, renowned producer (gina x performance and works under his own moniker) and steve schroyder (former member of tangerine dream during their formative period) team up to deliver their debut album -zeitgeber- which celebrates their very own sound and rhythm in a cosmic journey through audio and time. the tracks are a blend of structured compositions and improvisations accented by the throat singing of kolja simon und felix monnich aka alienvoices. the album plays like a technicolor adventure through space with explorations of cosmic disco, dreamlike passages, vocoder lullabies, and space odysseys. zeus b. held began his musical career in 1972 in french progressive art-rock band eruption before joining successful german prog rock group birth control, performing and writing with them 1973 - 1978. he was one of the first musicians to use the sennheiser vocoder vsm 201 in his live sets.

for the third release on decoder recordings, filip xavi makes his debut to the label. the serbian producer and resident dj of the drugstore club in belgrade delivers four superb techno tracks. all of them are characterized by an obscure sound but directly aimed at the dance floor. the first track wd-4d is a powerful opening of the ep, with its successor aw-fl keeping pace nicely. the b side of this ep can t be ignored, as the opening track he-ap kicks off quite fierce. the final composition named d-ui is an excellent hypnotic dj tool.

the sixth ensemble release is the debut artist ep of rhythm mind, a young leefdaal raised dissident hiding in the belgian capital. he delivers a solid five tracker that will as likely move feet on a peaktime dancefloor as nourish ears during early morning afterhour home listens.

new release from paris based producer ohes, this one is mostly oriented to an exotic and very personal interpretation of dance music, from discoid house to robotic afrobeat, here is a subtile melange of encouraging drums, driving melodies and ritualised sequences.

la bestiole is a tiny little creature that love old and unusual dance music. digging, cutting, gluing, and loving.

this summer, the left of centre electronica label greco-roman hits its stride and celebrates 10 years of music. and to celebrate they are reissuing their biggest dance floor records and remixes on a series of ltd edition 12”s.

london duo jynx provide the next chapter to kidnap kid’s birds that fly, an imprint quickly building a slim but effective catalogue.
this two tracker is a true fusion of sound, entangling vibrant ukg percussion, emotive vocals and charmingly quirky production.
altogether it creates something beautiful and unique, echoing the individuality of the label itself.

first release on his new home mad recordings is by ortella, as an engaged manifesto, music is my shelter is a statement in a pure garage house classic style, 3 versions of the same hit flavored with some mad rhodes by françois a.
ortella, -the king of clubbing in lyon- is back with a new record label, merging all the projects they starts with his partner kaïs in one unique home, mad recordings. the first release on the platform is by the french man himself, served as an engaged manifesto, music is my shelter is a statement for all the house producers around the world, talking about the years of struggle, the faith in the music as an art and the joy to see one day dreams comes true. no surprise about the style, it s a pure garage house ep released in the old style way, with 3 versions of the same hit! original de luxe is a classic extended cut, club friendly, rich of flavor with flying and crying rhodes keyboards by the talented françois a. an anthem that transports you to a time where house music was a religion and clubs were churches. intro de luxe version is a shortened version, perfect to starts a night with the right mood without announcing too much, just enough to warm-up the dance floor with some emotion. dub de luxe is for more modern purists, putting aside for a short period the piano rolls and focusing on what ortella do the best, percussive drums with no compromise, made for releasing the energy level straight from dancers to the floor.

nyc’s disco powerhouse west end records should need no intro. the home of too-numerous-to-list club classics for over 30+ years is still impacting today on what we know to be club culture. the label started by one mel cheren (rip) with assistance from larry levan and more way back in 1976 is still held in such high regard today with it’s catalogue constantly being played, rediscovered, reinterpreted and loved by waves and waves of new fans and admirers.
the west end story vol. 4 is an essential overview of this most iconic of labels and some of it’s more under the radar output, following on it’s from it’s predecessor the quality bar is obviously set extremely high, one only has to look over the tracklist to see the names and titles that are included! rare and overlooked cuts from sparque, debbie trusty, barbara mason, ednah holt and more make up 4 joyous sides of essential forward looking post disco classics - we’re talking late 70’s, early 80’s, synths, mega overdubs, left-field arrangements and anything and everything in-between.
a truly golden era of dance music history, names like tom moulton, tom savarese and more make up some of the talent featured on this flawless selection of goodies. oh, and for the record (no pun intended) these are all the extended mixes, 12” versions and special cuts, all killer - no filler! all tracks featured re-mastered, re-pressed and re-released with the permission of and in conjunction with west end records, new york city / bmg.

originally released on a promo-only limited edition special 12inch mix in the u.s., anung anunga was pressed in extremely limited quantity, making it one of the rarest columbia 12inch releases ever a mint copy will currently set you back around £100. produced by veteran dance music producer bert decoteaux, -anung anunga- is the perfect fusion of red-hot cuban musicians with a contemporary dance production. the result is simply stunning and continues the tradition of artists like candido and joe bataan crossing over into the dance music world. as though that s not enough, on the flip we ve provided the equally stunning baila mi ritmo the other outstanding dance track from their only columbia studio album which now makes its debut on 12inch for the first time ever. all in all, this is an exceptional double-sided slab of 12inch vinyl which could almost be a fresh new find for many since the original 12inch disappeared without a trace

lp + download card. new album waiho is brzzvll at its best: excellent psychedelic jazz-funk in which the band s solid, characteristic sound comes forward.the seven piece interfuse improvised dance music with jazz-fusion, afro funk and rare groove. it is freaky, it is trippy and it follows no rules.

west side story became the smash hit stage musical of 1957 through a combination of leonard bernstein’s dramatic score with jerome robbins exuberant dance routines. the long awaited film version arrived in 1961 and starred richard beymer as tony, rita moreno as anita and natalie wood as maria. its original soundtrack album clocked up 53 weeks on top of the billboard stereo albums chart and 12 on the mono, making it the album with the most weeks at number 1 of the rock (post 1955) era.

newcomers vale of tears debut on unity records with its inaugural vinyl release. control is a catchy dance floor stomper with a distinct kick and hook which carry through the whole track, driving climaxes with careful modulation of the main synth. this release features remixes by d-unity, filterheadz and atroxx, each cutting up the original into their own interpretations. support: adam beyer, d-unity, alan fitzpatrick, slam, filterheadz, monika kruse, carlo lio, chus & ceballos

house for her is a label founding its birth in the need that she s gone had to express his feelings in his mixes and productions. the time came to him, 1 year ago to give the floor to other people, to let everyone build pieces of music around their lived experience. in this release, the four artists came to cover in mist the wax in a cascade of tablecloths sometimes soft and other times more aggressive, to develop a ep rich in questioning, ranging from dance pieces to other more ambient things, linking them together to tell a story. raär and mp-57, as usual, darkened in the pile, revealing brutal tracks but nevertheless completely full of feelings. devant, with a more colorful touch, has come to appease the ep of a piece of a house deep and sexy, endowed with an atmosphere reminding us much nostalgia. and finally entrave, in a final piece, quietly envelops us to finish to walk in this ep, as in a novel, a kind of sombre happy-end.

thomas apokalypso marks his return to rett i fletta almost exactly 3 years after he started it with blusjketuta and apne slusa. and following a now famous winston churchill saying: this is not the end, not even the beginning of the end. this (apokalypso) isthe end of the beginning! and the rest is history. or simply great tekno not tekno. all available on full pupps techno not techno offshoot rett i fletta!

inaugurating the release, the cleverly designed oberservate drives forward with relentless kick drums that merge into self-indulgent pads slowly growing into a stargazing techno tale. p.leones remix sticks to the originals covertness while adding more depth by peeling out the pensive atmosphere as his lead synth gears more empathically towards the dance floor. opening the flip, discrete circuits ambient version of remote conversation in which the monologic acid line encounters blood boiling pads passing through some unknown territory. blind observatoryÆs remix rips out the principal elements from the original in order to create a pulsating ominousness reminiscent of his trademark neo-futuristic journeys that are roaming through cinematic sci-fi realms.

90s freak-beat enthusiasts may recognize this record as oringally released on temple records new york in 1995. we are such fans of the label that we ve teamed up with khan (aka bizz od, 4e, gizz tv....) to start a new series of releases pulling from temple s vaults. the first in the series sees khan and brother cem (aka jammin unit and 1/2 of the legendary air liquide) unleashing a torrent of acid-tinged jack in the form of you make me function and fun house . drummy madness for the most unhinged hours of the dance. pressed on clear vinyl and bearing the original temple logo as homage to the label.

chico buarque construcao revisited by l_cio is a beautiful debut project part of a doc series of releases combining classic brazilian names with doc artists and producers. l_cio (laercio schwantes) the man with the transverse flute known for some of the freshest and unique tracks coming out from brazil is behind this gemstone. increasingly building a legacy of fans following his live performances and recent releases on doc records (vazio, traffic, people talk, schwantes), this man is a non-stoppable 30 hours machine gun. on this long awaited 2-track limited edition vinyl release, l_cio and gui boratto kept the roots of this classic track construcao. however they added all the proper elements of a techno dance floor knockout. by inserting malicious baselines, flutes and strings they generated aggressive melodies while keeping all characteristics of this epic song. voted as the greatest brazilian song by rolling stones magazine, construcao was originaly recorded by chico buarque in 1971 with production by roberto menescal. released during military dictatorship, chico buarque criticizes the way of life of the brazilian workers, comparing them to machines. the song is known for its interchangeable last words, used as if they were pieces of a board game, as said by buarque. generatiions apart, construcao (l_cio & k_ri version) and construcao (l_cio & borattos deconstructed mix) are the first ever authorized remixes in over 45 years. l_cio the latest dance floor brazilian soldier, a menacing builder of beats completes an epic turnnig point by editing and lapidating a classic poetry. with a b side dub version beutifully crafted by label boss gui boratto, this limited edition pearl is finally here for our joy!

perfectionist comprehensive techno compilation - warmly recommended! (played by nastia, r.hawtin...)

runemark records comes back with the seventh release and this time it s a perfection from dumming dum and rush midnight and their co-creation three pills into a fist including remixes from atapy, black mami and the first ever remix from ten walls. the original version from dumming dum sets a deep and groovy tone with acidic bass line and the wonderful rush midnight s creamy vocals on top. ten walls has made an official remix that grabs attention from the very start. it s ten-wall-ish bass line, orchestral and emotional breakdown construct dark and epic vibes. a beautiful trip through deepness and back to the dance floor is laid out in black mami s interpretation. and the last but not least remix in the release is a banger from atapy. dance-able as hell and the most energetic composition in the pack. dumming dum - three pills into a fist (feat. rush midnight) is available in vinyl and digital formats. enjoy the music!

record store day 2016 rules apply due to the overwhelming love for the dj slugo remixes that were included in the 2016 repress of nina kraviz debut lp rekids will officially release a limited edition 7” for rsd. the remixes come from the chicago’s ghetto house legend and dance mania hero dj slugo and nina has been championing these juke mixes around the world.

since our beginning, manny cuevas a.k.a. dj m-traxxx has been a big supporter of snuff trax. in return, we totally dig his amazing radio shows and podcasts. this man’s heart is beating for chicago house music and you can feel the impact on all of his productions. snuff trax is very happy to present a whole manny cuevas record: „thee jackin’ zone e.p.“ for „you’ll never know (twisted fantasy)“ manny invited the amazing dj and vocalist josh caffe. together they created a seductive tune that takes us back to the golden era of house. a truly irresistible affair. with the tracks „a matter defined (acid house)“ and „thee jackin zone“ manny captures the wild pulse of the dance floor. sincerely raw, that’s all we need.

dansu &#12479,,,&#12441,,,&#12531,,,&#12473,,, discs is a newly manufactured imprint based out of manchester, uk. with a grip of 7 strong releases already behind their belt, they bring their debut 12” release, 4 tasty house cuts by none other than keita sano.
titled ‘come into my life ep’, the 4 track release shows influences from all over the electronic and musical spectrum. with the notably familiar nostalgic synths of ‘afrika’, to the reggae oriented disco cut of ‘j’, this release is a stronghold for any dance floor it graces.
grab that 12” now!

lisbon’s paraíso delivers a third volume for their ace v.a. genesis series, once again summoning some of portugal’s most gifted producers. just like the previous two sets of artists, all four projects have created tracks that pay homage to the brilliant continuum of dance music that the country has seen in the past three decades.

yet more proof that rodents rule ok! those anonymous rework masters of the night the secret squirrels unleash two more mighty weapons of dance floor destruction. as is their custom they zig-zag across the boundaries of disco, italo, house and acid inspired squelch as they exorcise their dance floor demons. the results might just drive your dancers wild! dig in.

jerome derradjis past due records is proud to announce the first part in a reissue series of lee moore’s rarest and meanest boogie funk tracks, originally produced for his labels score records and lm records, circa 1981-85. alien changing times was produced by lee moore and paul zaleski for score records out of memphis. double sided 12inch, it is one of these future funk instrumentals that will light a fire on any dance floor. never reissued before today remastered. rarer than rare and so good!

hyenah, has, over the last few years helped forge strong ties between the deep house mecca of johannesburg and the cutting edge electronic scene in europe. with a handful of influential and pivotal releases and remixes on a few key labels (objektivity, drumpoet, poker flat, toytonics) hyenah has established himself as a major talent to follow. with his residency and label night rise at berlin institution watergate going from strength to strength, a busy touring schedule taking in ibiza, angola, asia and the u.s, we’re very pleased hyenah still found time to get into the studio so we can present you with the next instalment, the usuthu ep. lead track usuthu featuring the vocals of b’utiza opens the release in fine style with crisp, percussive beats laying the foundation for the precision synths and trademark hyenah afro vibes. those who loved the wish, tale of the dirt and the idea will love this worthy follow up! next up is a second original entitled phases featuring the hypnotic tones of nonku, a much deeper affair but with no less energy and atmosphere. just a more heads down groove for the warm ups and wind downs, nonku’s wonderful vocal elements adding the perfect soulful touch. flipping over we have a wonderful remix from the inimitable mr raoul k. the ivory coast native now residing in berlin has continually wowed us here at freerange with his boabab and mule musiq releases. with his collaborative release alongside manoo just about to drop on innervisions (including a killer dixon edit!), we’re excited to bring you an epic mr raoul k remix of title track usuthu. setting the mood with lush strings and a beautifully paced, beatless intro, raoul k slowly introduces the beats and keyboard parts, layering up the elements and building the energy in the process, resulting in a very special, dynamic version that will connect on a deep level with all who experience it on the dance floor.

influencing the electronic landscape since 2010, hot creations has gained notoriety through pioneering a new and unique sound. also recognised for tirelessly pushing boundaries of house, techno and disco across it’s ever growing and innovative catalogue. one hundred releases later, the label is stronger than ever, celebrating with a mammoth ep from co-founder jamie jones. an ultimate summer jam with elevating synth lines, sound of music is a cover version, originally released by nookie and features chart topping artist katy b on vocals. kooky chords is a dance floor bomb, with melodic breakdowns sure to set any dancefloor on fire. next, positive pressure features label favourite kevin knapp, deep and gritty, the bassline swings with spacey layers. last up, parallel universe is a deeply infectious chugger with vocal cuts. “i m so honoured to be releasing the 100th record on hot creations. it’s been an incredible journey to reach this point and i can t wait for the next 100. as i opened up with the first release on the label, i thought why not start the next 100 on the same foot.” - jamie jones co-founded with lee foss, hot creations was the start of an empire, which went on to include sister labels hot trax and emerald city. jamie also runs paradise at dc10 in ibiza, standing today as one of the most popular nights on the island, it enjoys a close connection to the label. remaining at the forefront of the dance world, hot creations continues to break new talent and play host to well established producers. releases have come from artists such as patrick topping, richy ahmed, route 94, waff and roisin murphy amongst many others including pop group hot natured. critically acclaimed albums by miguel campbell, digitaria, popof and phil kieran have all been highlights on the label. reaching this impressive milestone, it seems only right that jamie jones is the one to deliver the 100th release.

sgol recordings are beyond excited to welcome danvers into our fold, with his debut release omiyage. omiyage translates as ‘gift’ or ‘souvenir’ in japanese, which is exactly how this ep came to life. danvers was gifted all the hardware that was used to create the six tracks on this record, six tracks that have been packaged and gifted to us. the ep takes the listener on a trip inside a musical mind that has the ability to take memories and weave them into a rich, sonic tapestry. it perfectly showcases danvers’ effortless skills in sensitive production and sampling, layering shimmering synths with glistening high-hats and building them into swirling dance-floor rhythms. each track forms a part of a figurative journey taking the wide-eyed listener on a symphonious tour leaving them with an overwhelming feeling of wonderment, whilst lulling them into wistful respite.

d&c (the cyclist remix) - closing track d&c from faltydl’s last album ‘heaven is for quitters’ gets the full frontal workout from the cyclist who turns the ambient album closer into a powerful stomping bass heavy remix. the shuffle reminds of old school faltydl productions with added up to date production techniques. heavy. frigid air (o’flynn remix) - o’flynn lends his gentle touch reminiscent of floating points with a bubbly beautiful emotional workout of frigid air, falty’s album collaboration with mike paradinas. neeloon (palms trax remix) - dekmantel stalwart palms trax plays gentle and dance floor friendly with this suburb clean remix of neeloon, a sci-fi escape soundtrack. hands in the air, the four four bounce is festival ready. drugs feat rosie lowe (kaidi tatham remix) - kaiti tatham has been a long time influence on faltydl. this jazzy fluid musical remix with pin point accurate drums and flowing rhodes plays against the raspy beautiful vocals from rosie lowe. for the come down crew.

strictly strictly is a new label with 4 heavy mpc-based house-jams by berlin-based producer rwin. strictly emotional affect with lush and spheric sedatives on the a-side and strictly dance-floor material on the b-side where he prays for jack and compels to move.

more rudeness for your pleasure from the co-founder of the permanent vacation kingdom, benjamin fröhlich: one year after the well received first rude movements ep and the accompanied remixes benjamin fröhlich returns for another round. the second part of the rude movements series brings you further adventures into the world of dance music from the past and present. it covers percussive space trance , roaring synth jams to stab-driven and flute-infused house workouts and dubby breakbeat steppers, all happily dancing under one roof.